Drowning On Dry Land: Articles
Alan Ayckbourn has written two short articles pertaining to his play Drowning On Dry Land. To access the other article, lick on the link in the right column below. The article on this page is an extract from the playwright's preface to Alan Ayckbourn: Plays 3 published during 2005.Drowning On Dry Land
He is summed up by another character, Marsha, his devoted fan, who explains her attachment to him and what he means to her: 'I think you're wonderful. You changed my life. I used to think I was nothing. Then I saw you and I thought, no. You don't have to be anything to be something.'
Perhaps the conclusion of the play lies less in deploring the way those with nothing to offer can become so celebrated - deplorable enough - than in its becoming accepted that anyone can do it without effort or ability. In the early stages of writing, I watched mystified on television one evening a young woman leaping about aimlessly in a field, waving her arms and yelling. An advertisement for what, I wondered? After a moment or so, she calmed down, stared at the camera and called out, 'Am I famous yet?' Quite so.
The play also reflects the converse, i.e. that the faster you rise in that hothouse world of little or no substance, the faster you are likely to fall. And almost certainly will fall.
I originally considered calling the play Am I Famous Yet?, but browsing through one of my dictionaries of quotations (always a good source of titles if you're stuck for one, as Shakespeare discovered) I came across an old English proverb: 'It is folly to drown on dry land.' Heaven knows how old or how English it is, but I liked it, especially since I had chosen to set the play in a folly. Not that there's anything symbolic in that, of course. Heaven forbid.
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